A) the stage,in a living performance.
B) the promptbook,containing record of the script's words and play's movements.
C) the minds and memories of its audiences.
D) the critical record of the play's performance in newspapers,blogs,and scholarly journals.
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Multiple Choice
A) Stoppard's Rosencrantz and Guildenstern Are Dead
B) Pirandello's Six Characters in Search of an Author
C) Shakespeare's Hamlet
D) Sophocles' Oedipus The King
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Multiple Choice
A) consistent with all those individuals within the same national culture.
B) consistent with all those individuals with the same ethnic and economic background.
C) generally determined by educational background.
D) a composite of many individual reactions and therefore entirely subjective.
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True/False
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Multiple Choice
A) production reviews in newspapers or periodicals.
B) reactions to the play posted on blogs and online magazines.
C) director's notes in a program.
D) scholarly articles or books on dramatic literature.
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Multiple Choice
A) focus on the theatrical personnel who put on the play itself.
B) have no connection at all with individual needs or desires.
C) link up with our deepest musings and help us to put our unconnected ideas into some sort of order or philosophy.
D) do not involve individual struggles but reflect solely on group ponderings.
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Multiple Choice
A) the observant critic
B) the articulate critic
C) the inquisitive critic
D) the eager critic
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Multiple Choice
A) social significance,human significance,artistic quality,theatrical expression,and entertainment value
B) tragic,comic,satiric,ironic,and tragicomic
C) pastoral,ironic,idyllic,epic,and lyric
D) thematic,characterological,spectacular,intensity,and dramaturgical
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Essay
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Multiple Choice
A) Annie Baker.
B) Bernard Shaw.
C) Hilton Als.
D) Charles NcNulty.
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Multiple Choice
A) mathematics and physics
B) biology and health sciences
C) political science and industrial technology
D) linguistics and anthropology
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Multiple Choice
A) ancient Greek.
B) medieval liturgical and Corpus Christi drama.
C) theatre of the absurd and antirealism theatre.
D) Royal era.
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Multiple Choice
A) Playwrights' politics have usually been the main reason they write plays in the first place.
B) The theatre has traditionally served as the best medium to transmit a direct statement on an issue,thus convincing the audience of a specific point of view in an aggressive manner.
C) Most productions do not act as propaganda but present the issues in all their complexity as food for thought and as such focus public debate,stimulate dialogue,and turn public attention and compassion to important issues.
D) The theatre has never been historically connected with government institutions and therefore has nothing to do with social issues or government decisions.
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True/False
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Multiple Choice
A) extended to a detailed and exhaustive study based on consultation with critical articles.
B) limited to a brief,immediate reaction written within a few days of seeing the performance.
C) an extended discussion based on the journalist's impressions of the play and on interviews with the actors and playwright.
D) based on the consensus of audience reactions.
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Multiple Choice
A) metadrama or metatheatre.
B) hyperdrama or hypertheatre.
C) hypodrama or hypotheatre.
D) sur-drama or sur-theatre.
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Multiple Choice
A) panel discussions among members of the audience following a performance
B) group sessions between actors,directors,and producers
C) academic seminars at fringe festivals
D) newspaper and television news reviews,scholarly works,theatre websites,online blogs and journals
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Multiple Choice
A) in all cases.
B) only when it conforms to strict cultural definitions of "pleasure."
C) only when it amuses and is humorous.
D) only when it contains wit,activities,or spectacles that grip us.
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