A) The sides
B) The entryways
C) The pediment
D) The roof
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A) Rome
B) Tarquinia
C) Palestrina
D) Veii
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A) Porta Marzia
B) Cistae
C) Monumental sarcophagi
D) Fibulae
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A) Lady of Vulci
B) Greek goddess
C) An ancient cloak
D) Etruscan god
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A) Marble
B) Limestone
C) Wood and mud brick
D) Glazed brick
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A) Orient
B) Rome
C) Greece
D) India
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A) An ionic frieze
B) A false porch
C) No roof
D) Three cellas
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A) On high mountaintops
B) In columbaria within the city limits
C) In subterranean rooms arranged along a network of streets in a city of the dead
D) In catacombs outside the city walls
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A) The peaks of the temple roof
B) The double niches on the porches
C) Only in interior niches in the cella
D) Only in niches next to the entrance
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A) Rome
B) Perugia
C) Paestum
D) Athens
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A) It was a combination of motion and vitality.
B) It was a combination of stability and calm.
C) It was a combination of rigid frontality and symmetry.
D) It was a mass of cylindrical forms.
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A) A place of shelter
B) A sculptural mass to be seen from all directions
C) A poor copy of a Greek temple
D) An ill-defined home for the priests
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A) Marble
B) Gold
C) Terracotta
D) Limestone
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