A) dress rehearsal
B) preview
C) technical rehearsal
D) None of these answers is correct.
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True/False
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Multiple Choice
A) production elements demanded by nonrealistic drama.
B) insistence by playwrights that someone take control of the rehearsal process.
C) rise of the Broadway producing organization in the 1920s.
D) increase in numerous forms of communication, which opened up a world of other cultures to examine and bring to life on stage.
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Multiple Choice
A) concept.
B) image.
C) symbol.
D) run-through.
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Multiple Choice
A) spine.
B) skeleton.
C) metaphor.
D) theme.
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Multiple Choice
A) securing ushers
B) printing programs
C) raising money to finance the production
D) maintaining the auditorium
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Multiple Choice
A) auteur director
B) postmodern director
C) traditional director
D) stage director
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Short Answer
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True/False
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Multiple Choice
A) through line.
B) main action.
C) circle of attention.
D) style.
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Multiple Choice
A) reviewing all union contracts related to production
B) raising money to finance the production
C) arriving at a central metaphor for the underlying meaning of the play
D) supervising the advertising
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Multiple Choice
A) board of directors.
B) manager.
C) coordinator.
D) CEO.
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Multiple Choice
A) naturalism.
B) heightened realism.
C) allegory.
D) expressionism.
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Multiple Choice
A) choosing a script
B) establishing the "spine" of the play
C) raising money for the production
D) establishing the style of the production
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Multiple Choice
A) Set up
B) Visual manipulation
C) Blocking/staging
D) Shifting
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Multiple Choice
A) naturalism.
B) heightened realism.
C) allegory.
D) expressionism.
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Essay
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Multiple Choice
A) reading new plays
B) identifying significant plays from the past that have been overlooked
C) researching criticism and interpretations of plays from the past
D) designing the program
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Multiple Choice
A) Naturalism
B) Heightened realism
C) Allegory
D) Expressionism
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Multiple Choice
A) naturalism.
B) heightened realism.
C) allegory.
D) expressionism.
Correct Answer
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